| Naayi Neralu | |
|---|---|
| Directed by | Girish Kasaravalli |
| Produced by | Basantkumar Patil Abhishek Patil |
| Starring | Pavitra Lokesh Rameshwari Varma Sringeri Ramanna Ashwin Bolar Ananya Kasaravalli |
| Music by | Thomas Isaac Kottukapally |
| Cinematography | S. Ramachandra |
| Release date(s) | 27 September 2006 |
| Country | India |
| Language | Kannada |
Naayi Neralu (Kannada: ನಾಯಿ ನೆರಳು; English: Shadow of the dog) is a 2006 Kannada language movie directed by Girish Kasaravalli and is based on a novel by kannada writer S L Bhyrappa of the same name. The film stars Pavitra Lokesh in lead role. The film bagged 3 state awards by the Government of Karnataka[1].
Contents |
Language : Kannada
Producer : Basantkumar Patil and Abhishek Patil
Story : S.L. Bhyrappa
Director : Girish Kasaravalli
Music : Thomas Isaac Kottukapally
Camera : S. Ramachandra
Naayi Neralu is a novel by S L Bhyrappa adopted into a 2006 film by Girish Kasaravalli.
Acchanniah lives with his wife and his widowed daughter in law in a remote village in Karnataka. His granddaughter Rajalakshmi is in a distant city completing her studies. Acchanniah learns from a friend that a boy in a distant village claims that he was the son of Acchanniah in his previous birth. Achannaiah dismisses the information as baseless. But his ailing wife believes or rather chooses to believe that her son who died twenty years ago has indeed come back. Acchanniah sets out to meet the boy. The boy is about twenty years old and provides some information regarding his previous birth which tallies with or rather appears to tally with his previous birth. Acchanniah brings home this boy whose name is Vishwa. Acchannaih's wife realises a new purpose in living and accepts this stranger as her son. But it is Venkatalakshmi, Acchanniah's daughter in law who finds it difficult to accept some stranger as her long lost husband. After some initial resistance, Venkatalakshmi realises that this is indeed an opportunity to attain all that she is restrained from. Her desires emerge again and she accepts the boy as her husband. It is here that problems start. The society which forced her to believe its her husband does not approve of Venkatalakshmi accepting the man as her husband and living with him. Rajalakshmi swears that this stranger who is her age is not her father. She tries to convince her mother to come out of such a delusion but to no avail. Acchanniah and his wife Nagalakshmi are shocked to hear that Venkatalakshmi is pregnant with Vishwa's child. Matter complicate and Acchanniah is humiliated in the public by his fellow Brahmins. Venkatalakshmi sensing the intensity of the situation decides to leave the village and live in a god-forsaken place with Vishwa. She has a hard life trying to manage ends meet. Vishwa is an eccentric young man and keeping him in control is not easy. To worsen things, Vishwa is attracted to Sukri, a girl from the worker class. Nagalakshmi dies unable to digest these bizarre happenings. Rajalakshmi decides to seek the help of the court to get her mother back. They file a false complaint on Vishwa. Aware of the family's sinister motives, Vishwa refuses to return to Venkatalakshmi. Meanwhile, a daughter is born to Venkatalakshmi. The court announces Vishwa guilty and he is sent to two years rigorous imprisonment. But Venkatalakshmi declares that she will wait for Vishwa to be released although she is certain that he will not return to her. She tells her daughter that she never believed that Vishwa was her husband reincarnate.
Naayi Neralu has a very complex theme of great intensity. Earlier films of Girish Kasaravalli focussed on social themes but were very straight in their narrative. But Naayi Neralu leaves enough for the viewer to interpret and analyze. On the outside the film deals with three different members of a family dealing with a very bizarre situation. But the inner theme is much more complex and can be an analyzed in different dimensions. It is a culmination of many aspects of life: Human relationships, Man and Society, Multiple Perspectives to a particular situation and so on. The fact is that each of three protagonists look at the situation the way they want to. Although the title suggests rebirth, the actual film deals with how people react to such a situation.
The role of Venkatalakshmi was played by Pavitra Lokesh. Pavitra Lokesh is a well established actress in Kannada Cinema. She proved her worth as a very good actress in the film. Rameshwari Varma who played the role of Nagalakshmi is a theatre actress and this was her second film. Ananya Kasaravalli gives a memorable performance as Rajalakshmi. Sringeri Ramanna as Acchanniah excels as a sensitive father in law caught between the affection for his daughter in law and the laws of the society. Naayi Neralu was Ashwin Bolar's debut feature and also his first venture into the Indian Film industry.
Karnataka state film awards, 2006:
Osian's Asian Film Festival, CINEFAN, 2006:
Karachi International Film Festival, 2006
International Film Festival Of Mumbai, MAMI Awards, 2007
Screenings
The director has taken liberty to widely deviate from the original story. The original story is an enigmatic tale of Karma and its repayment in subsequent births. In the film, there is huge juicy chunk removed from what the book says and this renders the story a single themed narrative. For instance the book touches upon how Vishwa was born and why he had to be reborn upon his accidental death. Acchannaiah's role in what Vishwa goes through in both his births is significant in the book. The narrative of the film also fails to explain why it had to be called Naayi Neralu.